GOOGL Mar 2020 980.000 call

OPR - OPR Delayed price. Currency in USD
196.90
0.00 (0.00%)
As of 3:34PM EDT. Market open.
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Previous close196.90
Open196.90
Bid235.30
Ask242.50
Strike980.00
Expiry date2020-03-20
Day's range196.90 - 196.90
Contract rangeN/A
Volume1
Open interest2
  • Why Microsoft should really be company of the year
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  • Bloomberg

    YouTube Outlaws Insults Based on Race and Sex, With Caveats

    (Bloomberg) -- Google’s YouTube video service expanded its definition of banned speech after months of criticism, saying it will now remove clips and comments that make “veiled or implied threats” against individuals or insult people based on attributes such as race and sexual orientation.The new harassment guidelines are part of YouTube’s efforts to clean up its platform, which has been plagued by videos that advertisers, users and regulators find toxic.Read more: YouTube Managers Ignored Warnings, Let Toxic Videos Run RampantIn June, journalist and YouTube creator Carlos Maza publicly accused Steven Crowder, a conservative comedian, of repeatedly harassing him with homophobic remarks on YouTube. The company said Crowder’s videos didn’t violate its policies and didn’t remove them. Employees at Google protested the decision. YouTube responded by pulling ads from Crowder’s videos, sparking accusations of bias from some politicians.“We will no longer allow content that maliciously insults someone based on protected attributes such as their race, gender expression, or sexual orientation,” Matt Halprin, YouTube’s head of trust and safety, wrote in a blog post on Wednesday. “This applies to everyone, from private individuals, to YouTube creators, to public officials.”Videos that “repeatedly brush up against” YouTube’s policies may be removed from its advertising program, Halprin added. This means that the controversial Crowder videos would now be considered a violation of YouTube’s policies, a company spokesman said.But there are exceptions. YouTube said videos that include harassment language in certain contexts, such as a documentary or a scripted satire, will not be removed. Neither will clips featuring or discussing powerful people “like high-profile government officials or CEOs of major multinational corporations.” YouTube will decide when videos meet these exceptions or not.Maza said he was skeptical of the new policy after it was announced on Wednesday. YouTube’s prior rules around harassment already covered protected groups and people, Maza said, but the company hasn’t be able to police content across its sprawling site. “The issue has never been the scope and language of the policy. The problem was with enforcement,” he said by phone. “I’ll believe it when I see it.”Crowder didn’t immediately respond to an email seeking comment. He posted a video on Tuesday titled, ‘Urgent. The YouTube ‘Purge’ is coming.”(Updates with comments from YouTube creator in seventh paragraph)To contact the reporter on this story: Mark Bergen in San Francisco at mbergen10@bloomberg.netTo contact the editors responsible for this story: Jillian Ward at jward56@bloomberg.net, Alistair BarrFor more articles like this, please visit us at bloomberg.com©2019 Bloomberg L.P.

  • Bloomberg

    Russian Artist Puts $150,000 Banana to Shame

    (Bloomberg Opinion) -- Forget Maurizio Cattelan’s $150,000 banana, duct-taped to the wall at Art Basel in Miami last week and eaten by a less well-known trickster artist. (The buyers of the artwork are fine with that — it came with a manual that prescribes replacing the fruit every week or so, anyway.) The best art of this type comes from Russia, because there, it actually means something.The art object that, as any responsible critic should recognize, eclipses Cattelan’s headline-grabbing “Comedian,” was sold online on Dec. 9 for 1.5 million rubles ($23,600). It was created by Artem Loskutov, an artist from Novosibirsk, Russia, who started the now nationwide tradition of “Monstrations,” annual rallies where people carry nonsensical signs. (“We Can’t be Knocked Off Course: We Don’t Know Where We’re Going,” one said this year.) The object is a piece of canvas-covered cardboard with a steel plaque glued to it and Loskutov’s signature, in marker, underneath. On the plaque, a woman named Nailya professes her love for a man named Andrey Kostin, in English, and tells him, “We are of the same blood,” an apparent corruption of the line from Rudyard Kipling’s “Jungle Book,” “We be of one blood, ye and I.”Loskutov’s description of the materials used in creating the work says, “found object, stainless steel, 5X14 cm; marker, canvas on cardboard.” But the plaque is, strictly speaking, a stolen object, not a “found” one. Until a few days ago, it was affixed to one of the 6,800 benches in New York City’s Central Park “adopted” by donors to the Central Park Conservancy.It came from what’s probably now the most famous of these benches: Earlier this month, it got a prominent mention in a 29-minute video by anti-corruption activist Alexey Navalny, an arch-foe of Russian President Vladimir Putin, that has been viewed more than 5 million times (and counting) on YouTube. The video is dedicated to the relationship between Andrey Kostin, the (married) president and chief executive officer of the state-owned bank VTB and state television anchor Nailya Asker-Zade. The state banker, according to Navalny, has showered Asker-Zade with expensive gifts, including prime real estate and the use of a yacht and a private plane. The cost of it all appears to be too high even for Kostin’s significant legitimate income, Navalny wrote.Kostin hasn’t commented on the video, nor has VTB, Russia’s second biggest bank by assets. Asker-Zade, known for her fawning interviews with members of Putin’s close circle, thanked Navalny on Instagram for the publicity.Navalny’s made-for-YouTube investigations are political tools rather than journalistic endeavors, and much of the film’s substance should probably be classed as opinion rather than fact. But when it comes to the Central Park plaque, Asker-Zade is mentioned in Central Park Conservancy’s 2015 annual report among donors of between $10,000 and $24,999. Navalny specializes in exposing impossibly lavish lifestyles that embarrass Putin allies and scandalize the average Russian. Judging by his video’s viral spread and the indignant comments it’s spawned on social networks, he handily hit his mark here.To put his allegations in context, Navalny wrote in a separate post that by his count the total value of the gifts is comparable to the amount that’s been raised by Rusfond, one of Russia’s biggest charities dedicated to funding medical treatment for seriously ill children, over its 23-year history. That would be difficult to prove, but is important for what happened next.Suddenly, the plaque disappeared from the bench, an event Navalny was quick to report on Twitter. On Dec. 9, it resurfaced in Loskutov’s possession. To turn it into art, Loskutov didn’t just paste it on cardboard and scribble his name underneath. He promised to donate the proceeds from its sale to Rusfond. The same day, he announced the object had fetched 1.5 million rubles in an informal auction he had run online. (The original screws from the bench were offered as a bonus.) To complete the performance, proof of the transfer to Rusfond is still needed. But Loskutov’s work has already garnered numerous comments to his tweets and Facebook posts — both accusing him of theft (even many Putin foes were uneasy about this) and praising him for his audacity.  One commentator summed the whole situation up like this: “They stole our money and we’ll steal their memories.” Although there's no proof Asker-Zade or Kostin engaged in theft.On Tuesday, Loskutov took to Facebook and Twitter again to post a quote attributed to a host of greats, most often to Pablo Picasso: “Good artists copy, great artists steal.” It’s unclear, though, if he meant himself or the bureaucrats and managers of state-owned companies whom Navalny often accuses of graft.The New York Times’ art critic Jason Farago recently offered what he called “a reluctant defense” of Cattelan’s banana on the basis of the artist’s “willingness to implicate himself within the economic, social and discursive systems that structure how we see and what we value.” If that defense is valid, Loskutov’s action works on more levels than Cattelan’s work. It’s art as Robin Hood-style theft, art as tabloid journalism, art as political protest, art as social commentary, art as commerce and art as charity all rolled into one. It’s not a case of art imitating life or the other way round, but art’s bold intrusion into life as it plays out under one of the world’s most dispiriting authoritarian regimes.Loskutov’s performance, whatever its consequences for him, deserves a place among other audacious Russian art works such as Voina Art Group’s 2010 depiction of a gigantic penis on a St. Petersburg drawbridge exactly opposite the secret police office or Petr Pavlensky nailing himself to the pavement on Moscow’s Red Square in 2013. It’s easy these days to be cynical about the value of art and to play tricks on audiences based on the amount of money some wealthy people are willing to pay for fatuous objects. It’s much riskier, and much more meaningful, to challenge allegedly corrupt elites and the enforcers and benefactors of authoritarian nations. Where political opposition is feeble, art has a role to play.To contact the author of this story: Leonid Bershidsky at lbershidsky@bloomberg.netTo contact the editor responsible for this story: Melissa Pozsgay at mpozsgay@bloomberg.netThis column does not necessarily reflect the opinion of the editorial board or Bloomberg LP and its owners.Leonid Bershidsky is Bloomberg Opinion's Europe columnist. He was the founding editor of the Russian business daily Vedomosti and founded the opinion website Slon.ru.For more articles like this, please visit us at bloomberg.com/opinion©2019 Bloomberg L.P.

  • Amazon (AMZN) Leases Space in Manhattan to Build New Office
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  • Facebook, Google Drop Out of Top 10 ‘Best Places to Work’ List
    Bloomberg

    Facebook, Google Drop Out of Top 10 ‘Best Places to Work’ List

    (Bloomberg) -- Big tech companies like Facebook Inc. and Alphabet Inc.’s Google, long seen as some of the world’s most desirable workplaces offering countless perks and employee benefits, are losing some of their shine.The Silicon Valley companies dropped out of the Top 10 “best places to work” in the U.S., according to Glassdoor’s annual rankings released Tuesday. HubSpot Inc., a cloud-computing software company, grabbed the No. 1 ranking while tech firms DocuSign Inc. and Ultimate Software were three and eight, respectively.Facebook, which has been rated as the “best place to work” three times in the past 10 years, was ranked 23rd. It’s the social-media company’s lowest position since it first made the list in 2011 as the top-rated workplace. Facebook, based in Menlo Park, California, was ranked seventh last year.Google, voted “best place to work” in 2015 and a Top-10 finisher the previous eight years, came in at No. 11 on Glassdoor’s list. Apple Inc., once a consistent Top-25 finisher, was ranked 84th. Amazon Inc., which has never been known for a positive internal culture, failed to make the list for the 12th straight year.Microsoft Corp. was one of the lone big technology companies to jump in the rankings. The Redmond, Washington-based software company moved to No. 21 from 34 a year ago.The annual list ranks companies using employee reviews on areas such as compensation, benefits, culture and senior management. Many of the big tech companies, including Facebook and Google, have been criticized this year for a myriad of issues, and in some cases employees have publicly opposed executive decisions.At Google, employees have protested against the company on a number of topics, including the company’s “intimidation” tactics against worker organizers. The results of an internal employee poll at the internet search giant, reported by Bloomberg in February, showed that fewer employees were inspired by Chief Executive Officer Sundar Pichai’s vision than a year earlier. It also found fewer workers believe senior management could successfully lead the company into the future.At Facebook, which just like Google provides employees with perks including free meals, corporate transportation and laundry services, workers have pushed back internally against leadership on some policy issues, such as the decision not to fact-check political advertisements.(Updates with top 10 table after sixth paragraph)To contact the reporter on this story: Kurt Wagner in San Francisco at kwagner71@bloomberg.netTo contact the editors responsible for this story: Jillian Ward at jward56@bloomberg.net, Andrew Pollack, Alistair BarrFor more articles like this, please visit us at bloomberg.com©2019 Bloomberg L.P.

  • TikTok Owner Is Testing Music App in Bid for Next Global Hit
    Bloomberg

    TikTok Owner Is Testing Music App in Bid for Next Global Hit

    (Bloomberg) -- TikTok owner ByteDance Inc. is testing a new music app in emerging markets as it tries to pull off another global sensation akin to its viral video-sharing service.Called Resso, the new app is now available in India and Indonesia, two of Asia’s most populous countries and places already keenly familiar with TikTok. Since an initial launch six months ago, Resso has been installed by about 27,000 users across the iOS App Store and Google Play, according to data compiled by Sensor Tower, which said the numbers indicate promotion of the app began in earnest at the end of November.ByteDance, the world’s most valuable startup, has been quietly developing the app to challenge the likes of Spotify and Apple Music in countries where paid music services have yet to garner large audiences.“The dilemma for all three companies is how to monetize a price-sensitive user base with low relative incomes,” said Michael Norris, research and strategy manager at Shanghai-based consultancy AgencyChina. “At the moment, it’s a race for active users in the developing world. Commercial realities will be put aside, at least for now.”Unlike Spotify, Resso displays real-time lyrics and lets users post their comments under individual songs. They can also generate music-accompanied GIFs and videos, emulating a favorite feature of TikTok. The app offers a monthly paid subscription service, which costs 119 rupees ($1.70) in India, the same as Spotify. Premium Resso users will be able to download music and listen ad-free.The Beijing-based company has secured rights from Indian labels T-Series and Times Music, Bloomberg News previously reported.A TikTok Craze Is Minting Celebrities and Ruining Lives in IndiaYet there are still no rights deals with the world’s three largest music companies -- Warner Music Group Corp., Universal Music Group and Sony Music Entertainment -- which control the vast majority of popular music and whose catalogs would be crucial for Resso to catch on globally, according to people familiar with the matter.Record companies credit TikTok with minting a new generation of music stars, including Lil Nas X, the singer of “Old Town Road.” As it has attracted hundreds of millions of users with their music, however, those companies are now demanding ByteDance increase the licensing fees it pays.“Resso is currently in a beta testing phase,” a Resso representative said in a statement. “We are optimistic about its long-term prospects but we are still very early in the process and only in a limited number of developing markets.”ByteDance was valued at $75 billion last year in part because investors are confident about its reputation as a mobile app factory. But the seven-year-old startup is still on the lookout for its next major breakout hit after TikTok and news aggregator Toutiao, its first signature app. With the paid music app, ByteDance is also looking to expand its revenue stream beyond advertising to counter a slowing home economy that has dampened advertisers’ appetites.A rare global feat for a Chinese internet company, TikTok has been installed nearly 1.5 billion times since launching in 2017. New U.S. users grew 38% to 11.6 million in the third quarter, according to Sensor Tower, up from 8.4 million a year earlier.But its Chinese ownership has become a lightning rod for criticism as tensions rise between the U.S. and China over trade and technology. American politicians and teen users alike have expressed concerns about the app’s handling of user data and censorship of politically-sensitive expression.Testing out Resso in its chosen markets gives ByteDance the breathing room to scale up the service slowly and out of the intense spotlight that’s placed on its other services.(Updates with analyst comment in fourth paragraph)\--With assistance from Muneeza Naqvi.To contact the reporters on this story: Zheping Huang in Hong Kong at zhuang245@bloomberg.net;Lucas Shaw in Los Angeles at lshaw31@bloomberg.netTo contact the editors responsible for this story: Peter Elstrom at pelstrom@bloomberg.net, Vlad SavovFor more articles like this, please visit us at bloomberg.com©2019 Bloomberg L.P.

  • The 20 best places to work in Britain
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  • U.S. Justice Department to review Google's deal for Fitbit: source
    Reuters

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  • U.S. Justice Department to review Google's deal for Fitbit - source
    Reuters

    U.S. Justice Department to review Google's deal for Fitbit - source

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  • Alphabet's Loon agrees airspace deal with Uganda for internet balloon service
    Reuters

    Alphabet's Loon agrees airspace deal with Uganda for internet balloon service

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  • India Top Court Reaffirms Immunity to Google for Online Content
    Bloomberg

    India Top Court Reaffirms Immunity to Google for Online Content

    (Bloomberg) -- Alphabet Inc.’s Google isn’t liable for defamatory content posted on its platforms after 2009, India’s top court ruled, reaffirming immunity for Internet companies in the world’s second-most populous nation.The verdict, which reiterates a 2015 ruling, comes as a relief for social media companies, online retailers and service providers who are facing increasing pressure from the Indian government to regulate online content. Prime Minister Narendra Modi’s government plans to bring rules to regulate social media platforms and a law on data privacy that seek to levy heavy fines on companies in the event of violations.However, the top court ruled that Google India Pvt. Ltd. will have to face defamation charges in cases lodged before 2009, when India’s information technology laws were amended to provide online and social media service providers immunity for content posted by a third party. They will have to take down content only after a court order.“Any other view would make it a despot strangling the free flow of ideas, which is what the internet is all about,” Justices Ashok Bhushan and K.M. Joseph of the top court said in the verdict.The case originated in the south Indian state of Andhra Pradesh when a construction material company Visakha Industries Ltd. sued Google for a blog post against use and manufacture of asbestos cement sheets. Google appealed to the country’s top court after the state high court ruled against it. However, Google will still face the defamation charges because Visakha’s case was lodged before the 2009 amendment.Google maintained that content is neither published nor endorsed by the company and it is just a platform provider.To contact the reporter on this story: Upmanyu Trivedi in New Delhi at utrivedi2@bloomberg.netTo contact the editors responsible for this story: Unni Krishnan at ukrishnan2@bloomberg.net, Abhay Singh, Pradeep KurupFor more articles like this, please visit us at bloomberg.com©2019 Bloomberg L.P.

  • IDC Data Shows Apple Dominates Wearables Market, Xiaomi Trails
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  • EU antitrust regulators mull tougher line against tech giants
    Reuters

    EU antitrust regulators mull tougher line against tech giants

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